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Seemingly back making films at a breakneck pace Takashi Miike makes it clear with For Love’s Sake (Ai To Makoto) that 13 Assassins and Harakiri, his recent period samurai remakes, were examples of him branching out further, rather than a full-blown new direction. That’s not to say that Miike is fully back to approaching the [...]
The Cannes 2012 Film Festival has now drawn to close after 11 days of fascinating films, extraordinary films and even some rather terrible films. HeyUGuys were there for most of the festival and in addition to the coverage on the site I have also been Tweeting some brief thoughts on the films I’ve seen @cskinner. In addition to the [...]